Paris, 1971. “A Name Outlives the Man.” A grave that draws more crowds than the shows did. The name kept going after the man stopped. Wear it: to the office you're about to quit, or the one you already did. Warning: may cause spontaneous honesty in beige environments. —spz
Would you like to tip the studio?
Paris, 1971. “A Name Outlives the Man.” A grave that draws more crowds than the shows did. The name kept going after the man stopped. Wear it: to the office you're about to quit, or the one you already did. Warning: may cause spontaneous honesty in beige environments. —spz
Paris, 1971. “A Name Outlives the Man.” A grave that draws more crowds than the shows did. The name kept going after the man stopped. Wear it: when the sleeves would only slow you down. Side effects may include telling the truth at inconvenient moments. —spz
Paris, 1971. “A Name Outlives the Man.” A grave that draws more crowds than the shows did. The name kept going after the man stopped. Wear it: to the office you're about to quit, or the one you already did. Warning: may cause spontaneous honesty in beige environments. —spz
Paris, 1971. “A Name Outlives the Man.” A grave that draws more crowds than the shows did. The name kept going after the man stopped. Wear it: to the office you're about to quit, or the one you already did. Warning: may cause spontaneous honesty in beige environments. —spz
Paris, 1971. “A Name Outlives the Man.” A grave that draws more crowds than the shows did. The name kept going after the man stopped. Stick it: on a fridge that badly needs to mind the beige. Legally distinct from a warning label. Emotionally identical. —spz